Mat Quest: An Introduction

Mat Quest: An Introduction

If you use any type of streaming service, this has probably happened to you.

You are in the middle of watching a series – or worse, a movie – when it suddenly disappears. 

With the convenience of streaming comes the peril of media rights. Your favorite show may become inaccessible when those rights expire. And, as Raw moves to Netflix, speculation has run rampant about what will happen to the WWE library when the promotion’s current deal with Peacock expires in the spring of 2026.

Internationally, Netflix already has the rights to Raw and the archive. We already have seen the archive of NXT drop into the void, after the CW began broadcasting new episodes, and chose not to upload any of the substantial NXT archive, to which they also have the rights, to their app. 

So what happens in 2026? If the WWE archive rights go to some new entity, I have zero confidence the published library survives in full – in large part because when Peacock bought the rights, not everything from the WWE Network made the migration (Get it? Migrate? Because birds!). 

As someone who follows wrestling and studied history, it’s probably not a surprise I like watching older wrestling – partly to check out stuff I haven’t seen, and partly because it reminds me of when I first started watching as a kid in the 1980s. I also know how WWE likes shaping, or reshaping, what is accepted as wrestling history, using its influence as the biggest promotion on the planet for the past several decades. Given that approach, though, I think that makes it less likely that all the currently available non-WWE content survives any move from Peacock to another platform. I’m talking about WCW, ECW, and especially the older stuff from the territories: Mid-South, World Class, AWA, etc. 

But if you’re looking at the older wrestling on Peacock, maybe you don’t know where to start. 

That’s where, hopefully, this series of articles serves a purpose. Mat Quest aims to provide a viewing guide to the wrestling on Peacock, starting from the oldest footage on the platform. 

How will it work?

Basically, I am going through every event and show currently on Peacock, starting from the beginning – or, in this case, 1973. I will let you know what I consider to be worth watching. If I think it’s skippable, it probably won’t be mentioned. Or maybe I will mention something in passing if you are looking to take a deep dive into a particular wrestler or style or title. I want to focus on the non-McMahon promotions, but I am folding in older content from WWE (or, as it was known in the 70s, WWWF) as well. For the record, we are defining older for now as essentially anything that aired prior to the debut of Raw.

A daunting task? Absolutely. Luckily I have a little over a year to get through it. 

A couple of things to remember… 

First, these recommendations are based solely off of my opinion. One of the great things about wrestling is that, I believe, there is something out there for everyone.

Second, these articles are meant to be informational. I definitely will go on a rant or a tangent from time to time, but this series will not be the place for in-depth match reviews or lengthy think pieces on how a certain match or segment contributed to the greater wrestling zeitgeist. You probably will find pieces like that on this site at some point, just not here.

Maybe you are a newer wrestling fan who is interested in the older stuff but was unsure where to start. Maybe you want to make sure you check out the good stuff from the archive before it possibly disappears, moves or evolves into its own paid service. Or maybe you are just burnt out on the current wrestling product and are looking for something different to watch. 

No matter the reason, I hope you check out this guide, and find it informative and helpful. 

For what is available on Peacock, the uploads really do not get going until the mid 1970s – 1976, to be precise. There are a handful of shows from 1975 and one from 1973: a complete card from Madison Square Garden that aired on HBO. And so that is where the journey begins.

Mat Quest: 1973

Mat Quest: 1973

Mat Quest is a chronological viewing guide to the WWE archive on Peacock. Jump in and follow along with us!

Welcome! We begin this journey with a historic event. None of the matches or results from this Madison Square Garden card were earth-shattering, but this event stands out because it was the first time the WWWF had one of its events broadcast live on national television. In this instance, HBO aired the broadcast.

As we begin the viewing guide, it is important to note that I am trying to break down the matches into certain tiers, everything ranging from all-time great to matches that are flawed but fun, or worth watching for some historic value or as a plot point. I may also point to certain matches and interviews where I think current wrestlers might want to take a look, to see what they could learn and use today.

Here we go…

JUNE 30, 1973 (Madison Square Garden)

Very Good

Pedro Morales defends the WWWF Heavyweight Title against George “The Animal” Steele

The best match on the card also has the biggest stakes. For someone who grew up on the Hulkamania Era like me, this is a fascinating look at George Steele, who is incredibly spry and far afield from the beloved turnbuckle-chewing fan favorite. Steele does some sleight of hand with a foreign object and the match becomes a fun brawl, fueled by a crowd that is going wild.

Good

El Olympico vs. Toru Tanaka (w/ The Grand Wizard)

I think that what people — and by people, I guess I mean wrestling fans who are online — define as a good match, or even a great match, has changed. The first thing I ask myself about every match is, did it hold my interest? And this one does. This is a few minutes of harmless fun with an abrupt ending thanks to one extremely effective strike from The Professor.

Worth Watching

Chief Jay Strongbow vs. Mr. Fuji

If Seinfeld was a show about nothing, this is a match about nothing. Fuji and Strongbow go about 15 minutes, and I estimate a good 80-90% of what happens bell to bell is schtick. Fuji spends what feels like a good five minutes applying a Double Pectoral Claw to Strongbow. And that crowd I mentioned earlier? They are watching Fuji grab the tits of this faux-Native-American-but-actually-an-Italian and loving every second of it. Be sure to catch the culturally insensitive war whoops from the crowd each time Strongbow teases powering out of the hold. I remain torn on whether this match is terrible because of the giant dollop of nothingness that it is, or brilliant because it captivates the crowd despite its nothingness. If nothing else, it is an excellent example of how easy it was to entertain wrestling crowds in the Northeast in the mid-1970s. Watch and judge for yourself…

Haystacks Calhoun vs. Moondog Mayne

This is pretty passable if not for the performance of Mayne, who hurls himself around the ring with reckless abandon to make Haystacks look like a powerhouse. Mayne, who died far too young in a car crash in 1978, would have fit right in in ECW. He never met a bloody brawl he did not like and even chewed glass during promo interviews. There are some great matches of his with Buddy Rose in the Portland territory that you can find on YouTube.

Take it or leave it

Gorilla Monsoon vs. Captain Lou Albano

In the Hulkamania days, these two saw plenty of screen time as a commentator and manager, respectively. This is a rare look at both in the ring, and that rarity is really the only thing that makes it watchable.

LINEUP & SUMMARY

June 30, 1973, Madison Square Garden

Lee Wong vs. Blackjack Lanza
El Olympico vs. Toru Tanaka (w/ The Grand Wizard) – GOOD
Gorilla Monsoon vs. Lou Albano – TAKE OR LEAVE
Victor Rivera vs. Black Gordman
2/3 Falls: Jan Sheridan & Joyce Grable vs. Dotti Downs & Peggy Patterson
WWWF World Title-Pedro Morales defends vs. George Steele – VERY GOOD
Chief Jay Strongbow vs. Mr. Fuji – WORTH WATCHING
Haystacks Calhoun vs. Moondog Mayne – WORTH WATCHING

UP NEXT

We jump ahead to 1975, and another card from Madison Square Garden.

Mat Quest: The Master Index

Mat Quest: The Master Index

A chronological viewing guide to the archive of wrestling content currently uploaded to Peacock:

Introduction (How the project will work and why it is being done)

1973 — A prologue installment

Madison Square Garden (3/17/75 & 4/14/75)

All Star Wrestling (9/13/75, 1/10/76, & 1/17/76)

February, 1976 (MSG, 2/2 & All Star Wrestling, 2/28)

Spring, 1976 (All Star Wrestling 3/6 & 3/20; Andre the Giant vs. Ernie Ladd from MSG on 4/26)

Wrapping Up 1976 (MSG, 8/7/76 & 10/25/76; Bobo Brazil vs. Bruiser Brody from MSG on 11/22)

Review the Kraken: The Kraken Classic

Review the Kraken: The Kraken Classic

Pro wrestling is more accessible than ever. Between streaming services, in-house online broadcasts, and good old-fashioned TV deals (a few still exist), fans have more ways to watch more wrestling from around the world than at any point. 

Imagine telling the you from two decades ago – even the you from 10 years ago – “some day there will be so much wrestling available to watch that you will never be able to keep up with it all.” And yet, today, WWE puts out six hours of content per week – and that doesn’t count the feeder shows like Main Event and Level Up. AEW cranks out five hours of TV wrestling each week — and that does not include the weekly Ring of Honor episodes. If there is a pay-per-view / premium live event that week, tack on another three hours. Full shows are available from a host of international promotions, especially in Japan, but those are usually three hours or more, requiring a real investment of time if you intend to watch the whole thing. 

And so, the approach that Kraken Pro Wrestling has chosen feels fresh in its convenience. This neophyte promotion located in southern Georgia breaks down its live events into snack-sized installments of TV for its YouTube channel. Each episode lasts 30 minutes, at most. A couple of episodes clock in closer to the 10-minute mark. 

But, with so many wrestling promotions out there, is Kraken worth watching? I think it is. And hence, welcome to my efforts to Review The Kraken! We kick off this endeavor by looking at the first eight episodes of TV, where the first Kraken champion was crowned in an eight-man tournament called the Kraken Classic. 

These shows happened back over the summer and so given that fact, I won’t attempt to bore you with a match-by-match or segment-by-segment breakdown. Instead, I wanted to take a look at some of the standout wrestlers on these early Kraken shows. They all have one commonality – each left me wanting to see more of them, whether it be here or elsewhere.

Big Business – This three-man faction comprises the top heel act in Kraken. The manager, Justin Kayse, actually came out of the tournament holding the title, as Jay 2 Strong won the Kraken Classic only to see Kayse declare himself as the champion. Jay was incredibly solid in his three tournament matches and the final against Michael Walker is the best match of the tournament. Lamar Diggs is the enforcer of the group and has the physical presence and requisite menace to fill that role. You could plug him right into the middle of the Mid-South territory in its heyday and he would fit right in with those sluggers. I like the concept of a heel manager holding the title everyone is chasing but, through these first eight episodes, I found Kayse somewhat lacking both as a talker and during interference spots sometimes self-sabotaged by poor timing. We will see how Kayse rises to the occasion in future installments.

Michael Walker – Probably the purest babyface on the roster through these first eight episodes. He acquitted himself well in all three tournament matches, all against opponents of different styles, including both wrestlers in Big Business. His match with Diggs was a fine example of one of my favorite tropes, pitting a smaller, speedy wrestler against a powerhouse. Even with the loss in the finals, Walker emerged from the Classic portrayed as a fine never-say-die underdog who you wanted to root for.

Trever AeonI have seen Aeon in person a couple of times and followed his work online in recent years. He is one of the more underrated wrestlers on the Southeast scene to me and stands out through his look, his versatility, and the explosion he demonstrates in some of his offense. 

Trey ShawI knew nothing about Shaw before his first-round match in the Classic (found in episode 4 of Kraken), but immediately was impressed. Again, these are short episodes, but in the span of about 15 minutes, he stood out with his combination of look, size, promo ability, and snug offense. 

All Star Special Will Huckaby and Hold My Beer Hanson are one of the more popular teams in Georgia and probably the merch champions of the independent scene in that state. Hanson is also the promoter of Kraken, something that is readily acknowledged on commentary. While this is hard to deny when Hanson is doing local TV spots to promote Kraken using his real name, I emerged from these eight episodes unsure if this was a little too much “behind the curtain” for me. A tip of the cap to Hanson and Huckaby (who is the booker) and not following in the footsteps of so many of their predecessors and making themselves the focal point of the shows.

Kevin KantrellKantrell is not part of the Kraken Classic but he stands out with a rugged, intense style. In his one match in the first eight episodes, he carries a green opponent to a solid effort and then, after the result does not go his way, beats down the referee like the official handed him a light envelope at the end of the night. I came away wanting to see more of him, for sure.

Kody MaddenHaving done wrestling commentary in the past, I know how difficult the job is. Kody is the lead broadcaster for Kraken and does a good job with the juggling act of calling the action, telling a greater story, and directing traffic in a three-man booth – although the other two members of that booth are both heels and have similar-sounding voices.

One of the most common, widespread — and often deserved — criticisms of professional wrestling as we sit almost halfway through the 2020s is the sameness of it all. Matches up and down the card, regardless of whether the promotion is located on the globe, see everyone working a similar style. Hanson and Huckaby have done a solid job assembling a roster of different characters with different styles. I will keep watching through their archive of episodes and came away from these first eight shows wanting to see what happens next, and really, isn’t that the first goal for any wrestling promotion?